in response to the
article on consciousness
To: Editors of New
Scientist Magazine
2016-11-15
From: Roger Armstrong
Retired Professor of Perception &
Certified Hypnotherapist
Ashland, Oregon, USA
WasAPsychicChild.com
rarm3@97520.net
tel. # 541-552-1021
Hello, I am an
85-year-old retired college professor. My academic expertise was/is
“Perception”. The classes I taught at Purdue University were a three semester
sequence covering the development of “Mental Perception and Development” from
pre-birth to age 65. I also am a certified Hypnotherapist and have been
hypnotizing people for 81 years. Like many hypnotherapists I have met, I
hypnotized my playmates when I was 4 years old. I enabled them to self heal cuts
and scrapes so that our play would not be interrupted by running home for a
band-aid. That started my life-long investigations into how we and other beings
visualize/perceive and interact with The Realities.
This led me to the
concepts of the division between the Conscious Mind and the other five (5)
mind-brains that we use in different functions. This writing is not an academic
paper, and but a conclusion I have come to during my years of exploring the
application of our 6 mind brains.
The process of Hypnosis
is the distracting, separating the logical, linear cognitive abilities of the
Conscious mind from its control of the Perceptual Realities it envisions. This
division allows the other five mind-brains to form a Mind
Cooperative that I
refer to as the spherical mind, that functions in a random cognitive pattern, each mind-brain contributing to the
formulation of several Thought
Conclusions and Mental Energy
uses.
One of these uses is
known as Remote Viewing. Remote Viewing has become accepted worldwide as a valid
spy tool/technique, viewing the exterior of things. But as an investigative tool
for understanding the intention of an object's new or past function, it has many
more applications for example perceiving the intention of the object, the
symbol; musical composition, equation, painting, math and chemical formula or
writing as well as the diagnostic and repair of physical tissue or mechanical
electric devices that are non-functioning, or the testing of those that are not
yet functioning.
An Ancient Symbol as it
is created (regardless of the media used) can hold thousands of bits of
information to be released to the Remote Viewer. The symbols have an index of
tabs that, when touched, will release its information to the viewer. This is a
very valuable tool to Archeologists or Paleontologists and their related schools
of expertise.
As a skill, Remote
Viewing is not difficult to learn, and age is not a barrier. Workshop
participants from 8 years old to 80 years old have been able to learn this skill
in less then two hours. An interesting side experience is the affect Remote
Viewing has in the perception of the functioning of time within the
experience.
Roger Armstrong
+ + +
I do agree with the group
that acknowledges that Conscious is actual. The thought processes of all Earth
Beings : grasses, plants, trees, water, air, soil, minerals, and animals ; i.e.
fish, insects and mammals, including humans is pictorial. This pictorial thought
process is basic to all life. We as humans learn to read by the association of
words to pictorial imagery . The conventional taught learning process in our
Educational system functions to replace pictorial imagery with a combination of
written letter-word symbols. This educational process stifles the further
development of telepathic thoughts pictorial communication.
The pictorial thought
process in human mammals starts with the pre-born fetus approximately two months
before birth. The human fetus recognizes the energy [aura] radiating from the
mother. As the Newness [the fetus] mental awareness develops, it will become
aware of other different energies, other then the mother’s. To differ between
the other energies it comes in contact with, it assigns a color to each one of
the new energies it comes in contact with, including the father, siblings and
the family pets. This mental development is the base of all learning and of
telepathic communication.
Telepathy, as the
mind-brains develop a pictorial vocabulary imagery, becomes a selective thought
tool, organizing conclusive thought patterns. It is not a stream of conscious
unorganized thought. Word patterns follow the basic precepts developed by the
pictorial word association. The thought vocabulary of many of the non human
earth beings is often limited due to the lack of mobility, longevity and
experiential interaction with other beings. Their focus is often limited to
propagation, survival of the species and their local
environment.
Telepathy is the common
language of the “Off-world beings” Telepathy using word imagery is used in their
local environment . But outside of that environment the pictorial imagery and
every one has a personal symbol to identify the origin of the pictorial thought
comment. Mine is an animated drawing of a spear piercing a shield to 1/4 of the
shaft length. These personal signatories are used before and after each thought
sequence. The advantages of the telepathic thought process are quite obvious. On
Earth we have over 150 different languages.
In a Galaxy of many
planets with a wide Variety of living beings, it must be nice to have a common
thought process for communication.
To pass on accumulated
information all the author needs to do is to mark [write, carve, incise, paint]
a symbol that, through the intention of the author, will contain the pictorial
information for others to tap into. Each creative expression, even that of
non-telepathic earth beings , holds the authors thought intentions in the form
of tabs on the thought interior of the piece. To access the information from a
symbol, a person needs to mentally Remote View into the symbol, and all of the
information will be reveled.
As an Art teacher in a
small University Educational Laboratory School at Eastern Michigan University, I
taught all the Art students [8 to 18 years old] to Remote View as a learning
tool, projecting their thought into the paintings of the old and modern masters
to touch the “Tabs” for information that explained the intention of that artist
in selecting a particular color or form. When we went to the Detroit Museum of
Art, we developed a 13 point questionnaire to record a the summaries of the
information that they gathered to act as a base for following discussion in the
Art classroom.
An interesting
side-experience presented itself as a result of these explorations. With the
focus on getting information from the Tabs, It did not occur to them or to me,
until our classroom discussions, that we were “Time Traveling” and that many of
the paintings were involved in more then one time sequence. Some of the
paintings were involved in up to 7 time lines to complete the work. Several
landscapes included the Artists vision, but on either side of their vision,
contemporary reality in our time was seen. It was a treat for me hearing 8 year
old students explore a rational for the existence of Time as a permanent entity
that was accessible as long as the creative symbol work existed. It wasn’t long
before the students would RV into their text books, and into musical scores to
determine the intents of the authors and of existence of different time lines in
the creative process.
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